great rooms

A House in Bed-Stuy (for When She Is Home)

Fashion editor Gabriella Karefa-Johnson settles down — for now.

2402 Shunui Spa The Greenwich Hotel
The Living Room: The Milo Baughman for Thayer Coggin sectional on a chrome plinth seats a lot of friends. “The pillows are from Marni Market, Ikea, and the 99-cent store around the corner,” says Gabriella Karefa-Johnson. The mid-century geometric Swedish rya-shag rug was bought on LiveAuctioneers. Photo: Annie Schlechter
2402 Shunui Spa The Greenwich Hotel
The Living Room: The Milo Baughman for Thayer Coggin sectional on a chrome plinth seats a lot of friends. “The pillows are from Marni Market, Ikea, and the 99-cent store around the corner,” says Gabriella Karefa-Johnson. The mid-century geometric Swedish rya-shag rug was bought on LiveAuctioneers. Photo: Annie Schlechter

Everyone takes notice when Gabriella Karefa-Johnson enters a room; with her infectious exuberance, she brings the party with her wherever she goes. You feel the same energy walking into her four-story home in Bedford-Stuyvesant, which is filled with an eclectic array of furniture and art mostly found online. “I became very obsessed with Live Auctioneers,” she says. “I didn’t ​really have the time, or the bandwidth, or the driver’s license, for going to estate sales and picking up furniture.” No need for her to hire an interior decorator — she knows what she is looking for and what she likes. Karefa-Johnson has no time to waste.

The way she has navigated her career in fashion has demonstrated this sense of purpose, and she’s worked hard to stay true to who she is. Most recently, this meant leaving her job at Vogue to throw herself into creating her own role in the industry.

Karefa-Johnson knew she wanted to work in fashion when she arrived in New York to attend Barnard College in 2009. She would have preferred Parsons, but “my mom was very much like, ‘You need to get a liberal-arts education,’ ” she says. But “I spent absolutely no time going to class. I spent all of my time interning and seeing and feeling New York; this is where I am supposed to be.”

She was born in Long Beach, California, one of five siblings. Her twin sister, Christianne (a.k.a. the rapper DoNormaal), now lives on one floor of the house. The death of their urban-planner father when they were infants marked a turning point for the family.

“Basically, from the time of his death, we kind of bounced around,” Karefa-Johnson says. “My childhood was very much about going with the flow, getting by, but it was a beautiful and amazing childhood where I got to experience so much of the world. It’s the reason I can kind of be in any room with any person.”

Her aunt Rosalee, she says, was her fashion inspiration. “She was a fashion model in the ’70s and ’80s, and I got to experience fashion through all the ephemera that she kept from those days.” During her early days in New York, Karefa-Johnson interned at Vogue before being hired on. She went on to become fashion director of Garage magazine. When that folded, she went back to Vogue, styling features with top celebrities and covers (the first Black woman to do so); a highlight was the cover story with Vice-President Kamala Harris.

“I just started getting a little bit more successful and a little bit more comfortable, and I needed a bigger space that would be a sanctuary to come back to from the road because I am always on the road, and I happened to find this bad boy,” she says. Renting “is a bit less of a commitment, and I can make sure that I am working toward this kind of permanent home for myself.”

She mentions how she got the black marble coffee table in the living room on Facebook Marketplace. “And when I wrote the seller, it turned out to be Yumi Nu, an amazing curve model who I found out lived right around the corner, as do Paloma Elsesser, Kimberly Drew, Nikki Ogunnaike, Tina Leung, and many others. Bed-Stuy has given me fabulous neighbors!”

Karefa-Johnson’s collection of Black vintage magazines and memorabilia includes Jet magazines found at BLK MKT Vintage. Photo: Annie Schlechter
Karefa-Johnson in the foyer of her house. She always keeps one of her suitcases there, ready to pack and go; “I don’t want to haul it from the garden level.” Photo: Annie Schlechter
The illustrated film poster is for the 1976 gay comedy Norman … Is That You? The Sly Stone portrait is torn from Shooting Stars: The Rolling Stone Book of Portraits (1973), edited by Annie Leibovitz. The Oceanic lamp is by Michele De Lucchi for Memphis in 1981. The Otto Gerdau chair is reupholstered in orange and black leather. The Mario Bellini bouclé Le Bambole chair is from B&B Italia. Photo: Annie Schlechter
The mantel holds thank-you notes from fashion designers, and the walls are covered with art and photographs. Photo: Annie Schlechter
The Songye wooden mask was bought on LiveAuctioneers. As for the mirror-tiled dining table, “I saw it in a warehouse with an open garage door while driving by in an Uber down Atlantic Avenue and came back the next day to grab it.” Photo: Annie Schlechter
Karefa-Johnson turned one of the bedrooms into her closet. The Louis Durot–esque purple suede ribbon chairs are from Chairish. The rug is by Giancarlo Valle for Nordic Knots. The coffee table is from Ikea, and the Chanel chess set was a gift from the brand. Photo: Annie Schlechter
Karefa-Johnson’s bed is 1980s from Dolphin & Flamingo. “The vintage American Heirloom quilt is embroidered with the signatures of women’s full names. This was research source material from Raf Simons during his tenure as creative director of Calvin Klein; I bought these at a major 405 sample sale this year. Not sure they knew what they were selling me for a MEGA steal. I wonder if this is an edited quilt from when he upholstered the Gaetano Pesce for Cassina Feltri Armchairs CK showed at Design Miami/Basel in 2018?” Photo: Annie Schlechter

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